Recently we went to The Wallace Collection to take part in a Rubens-inspired, All Things Light and Beautiful: Colour and Painting Workshop.
The workshop started with a gallery session where the guide introduced the children to two of Rubens' paintings while discussing the artist's use of primary and secondary colours to depict light and darkness in the paintings.
The children were then asked to make a sketch of the Rubens paintings for ideas that they might want to use back in the art studio to create their own landscape paintings based on the principles they have learnt in the morning, of:
The afternoon session of the workshop started with the a discussion of how artists in the 17th century would have had to find ways to create the colours they wanted either by grinding up natural materials such as earth and beetles, or through mixing primary colours to create secondary colours.
The children then had a chance to apply what they have learnt to create their very own Rubens-inspired, colourful landscape masterpiece.
We came home and learnt a little bit more about Peter Paul Rubens by ourselves by looking at a few prints.
I then looked around and found that the Royal Academy of Arts is currently holding an exhibition that showcases Rubens' works alongside those of other famous artists (such as van Dyck, Cezanne, Turner) whose works and styles were influenced by him.
So off we went to see the Rubens and His Legacy exhibition.
After going round the exhibition, we took part in a workshop where we first looked at how Rubens positioned his subjects in The Lion Hunt, then we were to use pastels to quickly sketch the positions in two minutes. The exercise was to give us a taste of the thoughts that an artist would have gone into in the compositional phase.
Following that, we were given copies of contemporary photographs as well as Rubens' paintings to make our own collage. We were given time to position the photographs on a black sheet of paper before using pastels to enhance our composition. Once we were happy with our collages, we were to use charcoal to draw our compositions out.
Here are our results. Tiger drew his composition based on his collage.
I was happy enough with my collage to stop there and then.
**Update on June 27th, 2016:
I was contacted by Artsy, a website that collates artists' bio, high quality pictures of of the artists' works, exclusive articles, and up-to-date exhibition listings around the world. As this is a Rubens blog post, I am linking to the Rubens page where you can learn more about the artist. The page even includes related artist & category tags, plus suggested contemporary artists. Well worth a visit!
This post is linked up to:
The workshop started with a gallery session where the guide introduced the children to two of Rubens' paintings while discussing the artist's use of primary and secondary colours to depict light and darkness in the paintings.
The children were then asked to make a sketch of the Rubens paintings for ideas that they might want to use back in the art studio to create their own landscape paintings based on the principles they have learnt in the morning, of:
- primary and secondary colours;
- complementary colours; and
- warm and cool colours.
The afternoon session of the workshop started with the a discussion of how artists in the 17th century would have had to find ways to create the colours they wanted either by grinding up natural materials such as earth and beetles, or through mixing primary colours to create secondary colours.
The children then had a chance to apply what they have learnt to create their very own Rubens-inspired, colourful landscape masterpiece.
We came home and learnt a little bit more about Peter Paul Rubens by ourselves by looking at a few prints.
I then looked around and found that the Royal Academy of Arts is currently holding an exhibition that showcases Rubens' works alongside those of other famous artists (such as van Dyck, Cezanne, Turner) whose works and styles were influenced by him.
So off we went to see the Rubens and His Legacy exhibition.
After going round the exhibition, we took part in a workshop where we first looked at how Rubens positioned his subjects in The Lion Hunt, then we were to use pastels to quickly sketch the positions in two minutes. The exercise was to give us a taste of the thoughts that an artist would have gone into in the compositional phase.
Following that, we were given copies of contemporary photographs as well as Rubens' paintings to make our own collage. We were given time to position the photographs on a black sheet of paper before using pastels to enhance our composition. Once we were happy with our collages, we were to use charcoal to draw our compositions out.
Here are our results. Tiger drew his composition based on his collage.
I was happy enough with my collage to stop there and then.
**Update on June 27th, 2016:
I was contacted by Artsy, a website that collates artists' bio, high quality pictures of of the artists' works, exclusive articles, and up-to-date exhibition listings around the world. As this is a Rubens blog post, I am linking to the Rubens page where you can learn more about the artist. The page even includes related artist & category tags, plus suggested contemporary artists. Well worth a visit!
This post is linked up to: